"Iconoclaste" Original
30 x 30 oil on canvas
Limited Edition Giclee Available
Iconoclaste
Iconoclaste evokes the complex dance between intimacy and power, myth and modernity. A woman with serpentine hair like Medusa, both protector and prophet, holds a red apple, the symbol of temptation and knowledge, while her other hand cradles a man’s chin. Her touch rests at his throat, both tender and possessive, as the snakes descend toward him; an awakening, or a warning.
He lies passive, eyes closed, an iPhone in hand, modern distraction, a silent disruption of connection.
This painting reclaims the feminine as powerful and multifaceted: capable of nurturing, confronting, and embodying the contradictions of life. Like Eve in the garden, she offers both knowledge and consequence; what has been demonized as dangerous may, in truth, be sacred.
← Return to the Mythos Collection
30 x 30 oil on canvas
Limited Edition Giclee Available
Iconoclaste
Iconoclaste evokes the complex dance between intimacy and power, myth and modernity. A woman with serpentine hair like Medusa, both protector and prophet, holds a red apple, the symbol of temptation and knowledge, while her other hand cradles a man’s chin. Her touch rests at his throat, both tender and possessive, as the snakes descend toward him; an awakening, or a warning.
He lies passive, eyes closed, an iPhone in hand, modern distraction, a silent disruption of connection.
This painting reclaims the feminine as powerful and multifaceted: capable of nurturing, confronting, and embodying the contradictions of life. Like Eve in the garden, she offers both knowledge and consequence; what has been demonized as dangerous may, in truth, be sacred.
← Return to the Mythos Collection
30 x 30 oil on canvas
Limited Edition Giclee Available
Iconoclaste
Iconoclaste evokes the complex dance between intimacy and power, myth and modernity. A woman with serpentine hair like Medusa, both protector and prophet, holds a red apple, the symbol of temptation and knowledge, while her other hand cradles a man’s chin. Her touch rests at his throat, both tender and possessive, as the snakes descend toward him; an awakening, or a warning.
He lies passive, eyes closed, an iPhone in hand, modern distraction, a silent disruption of connection.
This painting reclaims the feminine as powerful and multifaceted: capable of nurturing, confronting, and embodying the contradictions of life. Like Eve in the garden, she offers both knowledge and consequence; what has been demonized as dangerous may, in truth, be sacred.
← Return to the Mythos Collection