"Iconoclaste" Original
30 x 30 oil on canvas
Limited Edition Giclee Available
Iconoclaste
Iconoclaste evokes the complex dance between intimacy and power, myth and modernity. A woman with serpentine hair—like Medusa, both protector and prophet—holds a red apple, the symbol of temptation and knowledge, while her other hand cradles a man’s chin. Her touch rests at his throat, both tender and possessive, as the snakes descend toward him—an awakening, or a warning.
He lies passive, eyes closed, an iPhone in hand—modern distraction, a silent disruption of connection.
This painting reclaims the feminine as powerful and multifaceted: capable of nurturing, confronting, and embodying the contradictions of life. Like Eve in the garden, she offers both knowledge and consequence—what has been demonized as dangerous may, in truth, be sacred.
30 x 30 oil on canvas
Limited Edition Giclee Available
Iconoclaste
Iconoclaste evokes the complex dance between intimacy and power, myth and modernity. A woman with serpentine hair—like Medusa, both protector and prophet—holds a red apple, the symbol of temptation and knowledge, while her other hand cradles a man’s chin. Her touch rests at his throat, both tender and possessive, as the snakes descend toward him—an awakening, or a warning.
He lies passive, eyes closed, an iPhone in hand—modern distraction, a silent disruption of connection.
This painting reclaims the feminine as powerful and multifaceted: capable of nurturing, confronting, and embodying the contradictions of life. Like Eve in the garden, she offers both knowledge and consequence—what has been demonized as dangerous may, in truth, be sacred.
30 x 30 oil on canvas
Limited Edition Giclee Available
Iconoclaste
Iconoclaste evokes the complex dance between intimacy and power, myth and modernity. A woman with serpentine hair—like Medusa, both protector and prophet—holds a red apple, the symbol of temptation and knowledge, while her other hand cradles a man’s chin. Her touch rests at his throat, both tender and possessive, as the snakes descend toward him—an awakening, or a warning.
He lies passive, eyes closed, an iPhone in hand—modern distraction, a silent disruption of connection.
This painting reclaims the feminine as powerful and multifaceted: capable of nurturing, confronting, and embodying the contradictions of life. Like Eve in the garden, she offers both knowledge and consequence—what has been demonized as dangerous may, in truth, be sacred.
